Bollywood is home to liberals and feminists who have always jumped at the first opportunity to ridicule and belittle Hindus and Hindu Dharma. They fear no repercussions when they line up to denigrate our gods and places of worship, be it through their movies or actions outside the 70 mm.

We all remember how Kareena Kapoor Khan and her co-entertainers had maligned Devisthan after the alleged rape of a Muslim child Asifa inside a Hindu temple in Kathua, Jammu & Kashmir. Perhaps, after marrying Muslim men, it becomes necessary for Hindu women to keep their husbands calm and satisfied by maligning Hindu Dharma. But some Hindu-hating Hindu-only-in-name (HINO) women derive sadistic pleasure from denigrating Hindu beliefs and places of worship.

They are bereft of culture and have no sympathy for women regardless of the façade of feminism they put up. On the one hand, Deepika Padukone, Priyanka Chopra, and Sonakshi Sinha are the demigods of feminism iconized by mainstream media. On the other, there is Kangana Ranaut, the self-proclaimed lone “Hindu Sherni” in Bollywood.

However, what is common among these Bollywood celebrities is that they all visit Ajmer Sharif in Rajasthan to pay their “respects” and to bow before the body buried at the site. Not only Bollywood actresses but actors, filmmakers, directors, and producers belonging to the Hindu faith regularly visit the shrine to offer a chadar at the Ajmer Sharif Dargah.

Isn’t it phony and preposterous that an industry that claims to be the flag-bearer of feminism has religiously visited a Muslim shrine linked to the goriest mass gang-rape of Hindu girls? Through their movies and songs, Bollywood has promoted this place to such an extent that ordinary Hindus made it a point and matter of pride to visit Ajmer Sharif with a tokri on their heads.

These Hindus, brainwashed by the falsehood of Bollywood, have no idea how Islamists targeted innumerable Hindu women who came from respectable homes and families in the 90s. They remained clueless about how these Islamists created machinery to trap young Hindu women, rape them, take their objectionable pictures, and blackmail them. Hindus have no idea or count how many Hindu girls committed suicide after going through a traumatizing experience.

The 1992 serial rape and blackmail of Hindu girls in Ajmer has remained the most significant occurrence of religious sexual exploitation. This exploitation involved young Hindu girls, some of whom were college students while some were still in school. The news broke out after the local newspaper, Dainik Navajyoti, published nude pictures and the story of school students being harassed by local gangs. 

The investigation was stalled due to political pressure as the main accused, Farooq Chishtee, belonged to the Khadims of the Ajmer Sharif Dargah and was also president of the Ajmer Indian Youth Congress. Eventually, 18 offenders were charged in court. Many of these came from families of the influential Khadims, who served at the Dargah and identified themselves as descendants of the original followers of the Sufi ‘saint’.

Eight were convicted for life. It is speculated that many offenders are still roaming free as not all Hindu girls have come to the fore due to stigma and societal pressure. 

Manipulated by Bollywood’s pro-Islamist narrative, they have bowed down at this Dargah for years. They came up with lyrics like “Khwaja Mere Khwaja”, “Kun Gaya Kun”, “Piya Haji Ali” and many more. Children of Hindu families have hummed these lyrics oftentimes without knowing how Hindu sisters and daughters were victimized by the likes of those who boasted of being descendants of Sufi saints. 

Bollywood, as an industry, is guilty of perpetuating the propaganda of this Dargah. And so are the Hindu families that prefer staying in their cocoon, safe from the terrible news of how fellow Hindus are being persecuted.