“Movie Review | Hanuman Ansh”, Brhat, August 24, 2026.
“सा त्वस्मिन् परप्रेमरूपा ॥ २ ॥
Sā tvasmin parama-prema-rūpā.
Bhakti is of the nature of supreme love directed towards Bhagavān
~ Nārada Bhakti Sutra, 1.2
Bhāratabhūmi is a santabhūmi—a hallowed land walked by great mahātmās, tapasvīs and ṛṣis. From the Āḻvārs and Nāyaṉmārs of the South to the Vārkarīs of Maharashtra, the Braja-vāsīs of Vṛndāvana and the sādhus who make Himachal their home, this land is replete with the stories of extraordinary bhaktas who are like shining gems studding the crown of Bhagavān, the parama-puruṣa. One such figure who features prominently in the ādhyātmika consciousness of Bhārata and in the hearts of its people is Śrī Neem Karoli Baba.
The movie Hanuman Ansh, directed by Śrī Vishal Chaturvedi, is a refreshing, honest and befitting depiction of Baba’s endearing transformation from a young boy who leaves home seeking Śrī Rāma to a revered yet simple-hearted saint, dear both to the Divine to whom his life is dedicated and to the countless devotees who continue to seek his healing presence. Set amidst lush green locales, soothing lakes and humble village dwellings, and accompanied by musical scores that elevate and stir the viewer, the film draws you in from the outset.
Tapasyā — Mapping Baba’s Sojourn Across Bhārata
The film unfolds as a poignant conversation between a devotee of Babaji and young children who are brimming with questions about this mysterious persona. It is symbolic of how tradition and devotion travel from one generation to the next, cemented by the depth of bhāva and śraddhā. The plot also serves as a reminder of what we have inherited and what we owe to our children.”
Read the full article at Brhat.
