“Draupathi 2 Review: Mohan G Delivers Tamil Cinema’s Kantara Moment With A Bold Historical Film That Pushes Back Against Dravidianist Tropes”, The Commune, January 23, 2026
“After four hard-hitting films that took social issues head-on, director Mohan G returns with a historical that is not interested in comfort, consensus, or cosmetic neutrality. Draupathi 2 is not merely a sequel, it is a continuation of a worldview: that history matters, memory matters, and silence has a cost. When cinema in Tamil Nadu predominantly revolves around fake manufactured Dravidianist tropes, Draupathi 2 stands out as the lone film rooted in civilisational consciousness.
Story & Premise
The film opens in contemporary Tamil Nadu, where a familiar but rarely discussed reality confronts the audience – ancestral Hindu land abruptly falling under Waqf claims, leaving rightful heirs dispossessed and helpless. Against this backdrop, two young women from abroad arrive in the village, hoping to renovate a dilapidated temple. One of the women becomes possessed, serving as the narrative bridge between the present and the 14th century. With this, the film establishes a link between Draupathi 1 and Draupathi 2.
What unfolds is the tale of Veera Simha Kadava Raya (also played by Richard Rishi), a warrior who protected his land, people, and temples during the turbulent period when southern India was not insulated from Islamic invasions, contrary to popular belief…….”
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